Kneels for Laufeyson

bite-me-no-really-i-like-it:

gryffindordude:

dustily:

SAM

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YOUR LEGS

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ARE A HAZARD TO YOURSELF AND OTHERS

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Perfect

stephaniedanielle:

Never gets old

anniethesourwolf:

Some choice passages:

had to understand that the audience only wanted white, straight, male leads. I was assured that as long as I made the white, straight men in my scripts prominent, I could still offer groundbreaking characters of other descriptions (fascinating, significant women, men of color, etc.) – as long as they didn’t distract the audience from the white men they really paid their money to see.

Only to learn there was still something wrong with my writing, something unanticipated by my professors.My scripts had multiple women with names. Talking to each other. About something other than men. That, they explained nervously, was not okay. I asked why. Well, it would be more accurate to say I politely demanded a thorough, logical explanation that made sense for a change (I’d found the “audience won’t watch women!” argument pretty questionable, with its ever-shifting reasons and parameters).

At first I got several tentative murmurings about how it distracted from the flow or point of the story. I went through this with more than one professor, more than one industry professional. Finally, I got one blessedly telling explanation from an industry pro: “The audience doesn’t want to listen to a bunch of women talking about whatever it is women talk about.”

According to Hollywood, if two women came on screen and started talking, the target male audience’s brain would glaze over and assume the women were talking about nail polish or shoes or something that didn’t pertain to the story. Only if they heard the name of a man in the story would they tune back in. By having women talk to each other about something other than men, I was “losing the audience.”

latenightseth:

She might be the first-ever openly transgender Emmy nominee in history, but Orange is the New Black’s Laverne Cox has her mind set on achieving even bigger goals.

free-loki:

hiddlesadmirer:

yellowdork:

twh-fangirl16:

greygreeneyed:

Loki and his stunt doubles
from the set of The Avengers

Is Tom taking a selfie???

"I’m just trying to have a pint, and there are these imposters that keep following me." #Asgardianprincesproblems

#Asgardianprincesproblems

Tom is always taking a selfie.

free-loki:

hiddlesadmirer:

yellowdork:

twh-fangirl16:

greygreeneyed:

Loki and his stunt doubles

from the set of The Avengers

Is Tom taking a selfie???

"I’m just trying to have a pint, and there are these imposters that keep following me." #Asgardianprincesproblems

#Asgardianprincesproblems

Tom is always taking a selfie.

jaredpadaleckicumstomatosauce:

the-fullmetal-otaku:

ladyredsama:

tonicole:

japan-ism:

Ōkami Amaterasu Cosplay

AHHHHH. AHHHHHH. AHHHHH. AHHHHH. AHHHHHHH. AHHHHHHHHHHHHHHHHHHHHH!!!!!!

<33333333

*kawaii overload*

#it’s kinda cool #but i really hope the dye is just food colouring or something #otherwise this is considerably less cute

What it was going to be, we were trying to complicate the relationship between Cap and his S.H.I.E.L.D agent friends. If Hawkeye got a call from S.H.I.E.L.D saying Captain America is a fugitive, would he listen to that call or not listen to that call? That sequence actually was heartbreaking for us to cut it. I think it ultimately might have been a conflict with Renner’s schedule. But there was a great sequence where Hawkeye was chasing Cap through Washington D.C. there was an awesome sequence where they confronted each other in a ravine on the outskirts of D.C. and Hawkeye was shooting a series of arrows closing in on Cap, Cap closing in on him. And then Cap took him down and he realized for the first time that Hawkeye was trying to trick S.H.I.E.L.D, where he whispered something into Cap’s ear that Cap had a tracker on his suit and to punch Hawkeye to make it look real, because there was a Quinjet hovering above where they were watching the feedback back at S.H.I.E.L.D. So it was a cool sequence.

Details on the cut Hawkeye sequence from Captain America: The Winter Soldier. (via iputabirdonmyhead)

WHY WAS THIS CUT OMG

(via stuffimgoingtohellfor)

Well now we all know where Hawkeye was during Cap 2.

(via liamdryden)

NOOOOO

(via suit-and-bowtie)
thecommonraven:

sassysinglelady:



  compliments don’t get people killed. 

thecommonraven:

sassysinglelady:

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  compliments don’t get people killed.